Chapter 33

Table of Contents

As Mike puzzled away at the Gordian knot, that tangled, fetid mess of ones and zeroes, jammed together like some rancid mixture of short hairs and rotten soap scum, a putrid fatberg blocking the bowels of Max's computer, here is what was happening across the parking lot at the Gasden Motel.

It turns out that the driving time between Tombstone and Cornudo was not as long as Mike's faulty math had calculated, especially if the driver in question can commandeer an escort of law enforcement officials.

With a few phone calls, Catalina Eddy was able to pull a small cordon of sympathetic deputies away from their sworn duties.  Lights flashing fore and aft of the FF flotilla, the armada of grimy minutemen then crossed the dreary sea of sand separating them from Cornudo, moving much more quickly than the legal speed limit would allow.  Years of siphoning off ill-gotten gain into sheriff funeral funds, police athletic leagues, and massive peace-officer kegger-stripper parties, had paid dividends.  Of course, the gaudy escort was dismissed where the 85 met Gila Bend, lest the public servants bear witness to a spectacle that would forever sully the public service image of the Freedom Frontiersmen.

At the ice cream parlor beside the grove of fruit-bearing palms at Dateland, Eddy left his co-militiamen behind.  "Go in and shake 'em down for a shake," he told his band of merry buccaneers, privateers on the sea of sun-baked earth that was the Gadsden Purchase.  "I'll be along presently.  I have to go in alone.  If Danny spots us muscling in on his territory we will have a shooting war on our hands.  We're not ready to take on that ilk just yet."

Carrying the key to the critter room in his pocket, Eddy obtained the Toyota sedan, then drove the last stretch alone.  He felt naked without his celebrated sombrero, but in a pleasant skinny-dipping way, feeling unencumbered by the image it represented.  Dressed in Hawaiian shirt and beach shades, he wondered what life would have been like without the charade, pursuing his true predilections and passions, hanging out with shaven beefcakes on South Beach, instead of with hairy, unwashed barbarians in dirty, scorpion-infested pits on some thorn-choked stretch of borderland.

Maybe after this last little loose end was tied up, he could finally retire from this rotten business and do the things he really wanted.  He had started off years ago defending militia thugs in court, and had wound up becoming one, his ambition for adulation always taking him one step further then he intended to go.  Revival preaching had been a lucrative side gig, but even his aptitude for slick talking couldn't always shield him from outrage and its consequences. His gospel career was sidetracked when he was caught in the sack with the son of the youth pastor at a megachurch where he had been doing quite well, selling fire insurance at lucrative commissions.  Hell, if he could walk away gracefully from this militia gig, maybe he could take his traveling salvation show to South Beach, peddling a more hedonistic version of the Father, Son and Holy Ghost.  The Gratification Gospel, or some such.  He could buy big dinner plate teeth like Joel Osteen, sell millions of books, then fly around in leer jets with plenty of male tail packed in the luggage compartment.  The prospect was pleasant, if he could just complete this one last mission.

The Gasden Motel came into view.  Looking to his left, Eddy did a quick inspection of the inn´s parking lot.  There were no cars there, not an unusual situation for the summertime, when most business consisted of weary, head-bobbing travelers rolling in after dark.  From this vantage he could not see Mike's truck parked around the front, but that was not necessarily an empediment, because if he rolled in from the café side he could grab the kid and be out of there before Mike had time to run down from the office and interfere with the abduction.  Of course, all of these plans assumed the kid was in the critter room.  Common sense asked why anyone would keep a child in a chamber of horrors like that, packed with fanged beasts that were sometimes venomous?  Precisely because of its bad reputation, which was enough to stop most people from going in there, making it the perfect hiding place.  Of course, Eddy wasn't most people.  He shared his sleeping bag with scorpions and centipedes on a regular basis.  Once a rattlesnake had crawled in beside him.  The horrors of the critter room did not daunt him.

Eddy paused at the far edge of the lot and checked the loaded pistol in his pocket.  He still had not decided whether to kidnap the boy or just make sure he stayed quiet, forever.  The latter was certainly easier, perhaps even more humane.  But a murder investigation would be much more intense than a missing person case for a person that nobody even knew was missing.  Either way, If Danny found out that he, Catalina Eddy had been here, no police department would track him down before Danny did.

Still undecided, Eddy rolled into the parking lot of the Gasden Motel and pulled up parallel to the door of the critter room, positioning the vehicle in such a way that he could make a quick getaway.  Then he walked the few necessary steps as casually as possible, playing the role of naïve, desert-deluded traveler to the tee in his beach comber costume. He tried the key, and when it fit perfectly he jolted back shocked a little, as if the door handle carried an electric current. 

The door swung open and there was the boy, sitting on the bed as if gift wrapped for him.  "Aren't you a cute little devil," Eddy said to the tender young face, who looked up from his doodlings with his mouth drawing a perfect O of surprise.  What the heck, Eddy thought.  This kid was too pretty to drag out into the nasty, cruel desert.  He raised the pistol.

The storyteller now digresses a moment to the subject of Chekhov's gun, first brought to his attention through the works of Japanese author Haruki Murakami.  One might think our author is stealing a literary device from Murakami – no, literary is a reach, let's call it a storytelling device.  Perhaps he is, but if it makes the offended reader feel any better, the axiom will be modified a little.

The doctrine of Chekhov's gun is interpreted such that 'if in the first act you have hung a pistol on the wall, then in the following one it should be fired.'  Haruki Murakami, who is a very experimental writer, deliberately defied Anton Chekhov's gun laws, using what seemed like three or four hundred pages to do so, instead of jumping as required from one act to the next.  Here, however, we shall adhere strictly to the strictures of Anton Chekhov. Even though we have never read him, Chekhov is a literary giant. Murakami is another giant, true, translated into 50 languages, so he can get away with disobeying Chekhov. But who are we?

For you the literary literalist out there, unable to get past the concrete image of a gun hanging on a wall, the storyteller must interrupt the narrative flow one more time to explain that Chekhov's gun is just a concept, an abstraction that can be expanded to other objects besides firearms.  Chekhov's gun can be a knife, a box of rat poison, a box of kitchen matches, a Masai spear brought back from a photo safari, a poisonous jungle frog in a glass bowl, anything that can be used by the protagonist or his/her antagonist to retard the progress of his/her literary foe.

In this case, in act one we identified a couple of items in the critter room as our surrogate Chekhov's gun(s).  We were very careful to point them out, doing so repeatedly, I would say even with a bit of overkill, just in case you were snoozing the first couple times around.  Now, in act two, our Chekhov's gun(s) will be fired, because the accepted standards of storytelling must be satisfied.  Back to the narrative.

When Eddy pointed the gun at Little Fucker, a firearm which, ironically, was not really a Chekhov´s gun at all in the strict definition, the boy let out a shriek. Having survived a civil war he knew what a gun was and what it could do.  When he yelped, something stirred beneath the bed and then whipped around with its scaly tail, if a being´s entire body can be referred to as a tail, an act that set the lost half-empty mayonnaise jar in motion, from where it had rolled into a recess in the wall.  Next, the first of our surrogate Chekhov's guns slithered its way out of the dark den to follow the other, in order to investigate this unwelcome invasion of privacy.

Eddy took a couple of steps forward to get a better shot.  As he did so he stepped on one of Chekhov's guns, the mayonnaise jar, of which the other Chekhov's gun, the deadly serpent, was very fond.  Eddy then lost his footing on the half-eaten jar of condiments and fell backwards.  His shot went wild into the roof, and Little F took this as his cue to spring for the hidden door between two critter covered dressers. Behind this door lay a Fucker-sized ladder leading to the attic, where there was a Fucker-sized passageway leading to the Herr's refurbished panic room, concealed beside the safe in Mike's office.  The boy had been drilled on this eventuality numerous times and, because he was a good soldier, he carried out the plan with tactical precision.

Laying flat on his back in the doorway of the critter room, Eddy pondered this unexpected eventuality.  The tanned beefcakes of South Beach looked farther away than ever before.  On the descent off the mayonnaise booby trap, he had hit the back of his noggin hard on the cement walkway just outside the door, making him dizzy and delirious, unable to move.  He could only lay there helplessly as the other Chekhov's gun came slithering into view, specifically that missing snake of uncertain toxicity, hissing its angry way along to avenge it's friend, whose plastic sides had been flattened by Eddy's weight.

"Red on yellow will kill a fellow," Eddy noted clinically, but not without some humor.  Then the serpent struck.

Across the street, shielded from view of the critter room by the intervening building, Danny Valero was reading the Arizona Republic inside the greenhouse sauna of the gas station office, a place at least as hot as the surface of Venus, when the gunshot went off.

Danny had just seen a tourist pull in, probably some anachronistic dude from the midwest on his way to San Diego, a cloistered slicker who still thought floral shirts were in vogue, thirty years after Miami vice.  Danny had not given him a second thought, dismissing him as a yokel in a rented silver sedan.  Then the gun went off, something not expected from a yokel in a rented silver sedan.

"Solita!" he called out, and Marisol emerged from where she had been stretched out on a lawn chair in the garage, where it was only the temperature of the shade on Venus.  She walked in languidly like the sultry catwoman she portrayed in Gotham Go-Down II, her bare shoulders and upper bosom beaded with sweat.  Softly she wrapped her arm around Danny's shoulder, then leaned down to give him a kiss on the cheek.

"Yes, Uncle dear," she said.

These putillas are such helpless pendejas, Danny thought. Putty in my hands.  All they need is a good wake-up call sometimes, to remind them who their Rey is.

"Something is going on over there at the motel.  You better go grab that kid now.  I'm going to call Sal.  Hurry up while Mike is still over at the café." If Danny was worried about exposing his dear, loving niece to the shooter, he did not show it. Either he thought these pirujas were expendable, or he knew she was smart and could take care of herself.

His plan had been to have Marisol grab the boy after a little kiss-and-make-up session with Mike.  When Mike rolled over in contented post-coitus sleep after a couple rounds, she would simply walk out with the kid.  But the process had accelerated.  Danny was not sure what this gunshot signified, but maybe others were after the orphan too.  Danny would find out soon enough who they were, and why they were there.  Right now he had to get the child in his possession.  What better opportunity, with Mike absent over at the café. 

When the kid was his, Danny would then squeeze Mike for three million dollars, the two million he owed the cartel plus one million of lagniappe on top of that.  Maybe as a reward he would set Marisol up in her own place in town, one with an air conditioner, where she could slowly take over the business as his heir apparent.  The girl was absolutely merciless, something he had not expected out of her.  She kept suggesting that they should kill both Mike and the little one, after the money was paid.  On the other hand, Danny thought why kill them if they could be scared into a lifetime of dedicated service?  Mike had a lot of talents to profit from, it would be a shame to waste them.  But he still had to think it through.  Right now Danny had leverage over Mike, but as soon as he got outside Danny's sphere of influence he might go straight to the cops.  Maybe Marisol was right.  He had been a little rough on her, but no doubt the girl had potential.

Marisol nodded assent, then walked across the parking lot to the motel office, working her flip flops sensually, like stilettos. She knew the fire drill over there, had helped Mike work it out.  By now, after responding to the gunshot, the Little Fucker should be hidden away in the hiding place Mike had built for him.  Mike was smart and clever in some ways like this, but really stupid in others.  His Achilles heel was trusting skanks like her who it was obvious to everyone else should never be trusted.  Exhibit A of this suicidal tendency to revere women of questionable moral character was the key she had with her, bulging like a phallus in the pocket of her skimpy cutoffs.  It was, of course, the motel master key that stretched the denim on her sculpted ass to the breaking point. 

Marisol wondered if that pathetically trusting chump had changed the locks since she left, but suspected that eight months in the Gadsden Purchase had not shaken his faith in the goodness of human nature.  Mike was cute and sweet for sure, but fatally deficient when it came to common sense.  The problem was that there was no real malice in him, so he could not see malice in others.  Snooping around on google, Marisol found out that the corporation that bought Mike's software had done it for a song, practically stealing it. They had raked in hundreds of millions off of it since, but Miked payout had barely ventured into eight figures.  He was a dupe, a patsy, a loser.  He couldn't swim with the sharks, and when you had several million in your bank account there would always be sharks in the water, no matter where you tried to hide.  Sometimes the sharks accumulated thickest in the least likely of places, and now they were circling that floundering suckerfish Mike Gasden in a feeding frenzy, right here in the bone-dry Gadsden Purchase.

Marisol pried the master key from her tight butt pocket, and as expected it still worked in the office door.  She went inside, savoring the air conditioning, then walked across to the painting of the cherub faced, rosy cheeked aristocrat.  His scarlet lips seemed to be slightly creased in disapproval of her.  "I never liked you," he seemed to be saying.  Marisol gave James Gadsden the bird, which made his delicate cheeks redden further.  Marisol had never liked him either.  She pulled the painting down, put it on the floor and turned it to face the wall.

The nail on which the portrait hung was actually a lever. Marisol pulled it downward.

In the semi-darkness of the panic room the Little Fucker was scribbling away madly on the motel stationery.  The bleak walls of the secret chamber were adorned only by a portrait of a smiling man in a uniform, standing before an old style airplane.  The caption scrawled drunkenly beneath the photo read Hans Ulrich Rudel - Der Teufel! Someone had drawn devil horns on him.  Little F didn't like the picture.  He took it off the wall and turned it upside down, so that thinking about it wouldn't interfere with his work.

He was hiding in the panic room because the man in the hat had come back for him. Even in his tender two-year old mind he understood that this was bad, and someone should know about it, though his still maturing neurons could still not quite formulate the concept of justice.  As a matter of fact, until very recently basic right and wrong had been indistinguishable to him.

In Aleppo, he had watched from his window as people without guns were gunned down by people with guns.  In the blank slate that was his brain, how could he formulate any moral judgement against that?  His conclusion was that if you didn't like somebody because they were different than you, and you had a gun and they didn't, it was okay to kill them.  That was what the man in the hat had done to his mother.  The man in the hat had guns.  His mother did not have one.  The man in the hat did not like his mother, for reasons he could not understand, so the man in the hat had killed his mother.  No need to wring his little hands in grief and anger, no need to swear vengeance, that was just the way things were done. 

Then Little Fucker had met Tony and Mike, who had forced him to rethink his philosophy.  Tony and Mike were very different from him, even he could see that. When he spoke they didn´t understand him, they thought it was baby gibberish, when he wrote they assumed his letters were the meaningless doodlings of an infantile mind.  Their way of talking was different, and they also didn't kneel down five times a day to Allah as the people in Aleppo did, good and bad alike. As far as he could tell Tony and Mike did not pray at all, but loved him and took care of him anyway. They were both bigger and stronger than he was, and in Fucker's former world that meant they had the right to kill him.  Still they had not killed him, which made F question for the first time if his world view was wrong.  Was it possible that the correct and proper order of things was for the strong to protect the weak, instead of killing them or making them do things they did not like?  Maybe his formerly cruel and heartless world was the one that was not normal.  Maybe the gentle, loving hand of Mike was the right way to be.  His mother had prayed to Allah the compassionate and merciful. He thought he knew what that meant now, and that it was the right way to be.

The seeds of wisdom were planted in these thoughts.  There was a thing called justice, and no matter what happened to him, the world needed to know about what the man in the hat had done, so they could stop him before he hurt someone else.  That was why Little F was scribbling away so eagerly in the semi-darkness, with only a little flashlight to illuminate his hand.

Then the entrance to the panic room swung open, and there in the doorway stood the angel of Fucker's salvation.  "Come on, Little F," she called to him, and the teary-faced boy threw his arms around her.

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Image of Anton Checkhov by Unknown, in the public domain, courtesy of Wikimedia Commons